![]() It needs to be fixed, and fast.Īlthough he's yet to realise it, everything will pivot on Miles Morales (Shameik Moore), the 15-year-old hero who's busy enjoying his new-found status as Brooklyn's number-one Spider-Man (and the fact that his wispy moustaches, along with multiple product endorsement deals, are coming in nicely). Something's very wrong with the fabric of space and time. She's doing battle with winged Renaissance-era menace Vulture (Jorma Taccone) when Miguel O'Hara (Oscar Isaac), a luchador-like Spidey variant, and Jessica Drew (Issa Rae), a pregnant Spider-Woman astride a motorcycle, arrive from the Spider-Society – the official headquarters of all the spider-folk in the multiverse – to intervene. Shameik Moore, who voices Spider-Man, told ABC News: "I just feel lucky to be a vessel for this." ( Supplied: Sony Pictures) It serves up more variations on the character than a spider-man could point his finger at, including spider-babies, spider-avatars and, in one of its many inspired gags, a spider-saur. Spider-Man: Across the Spider-Verse, the first of two sequels to that film, is a reminder of what a comic book movie can be at its best, delivering the platonic ideal of the hero - in all their mutable forms - who is accessible to everyone. ![]() Spidey's elastic appeal was best captured in 2018's Spider-Man: Into the Spider-Verse, the Oscar-winning animated hit that added Spider-women, spider-pigs and even more Spider-men to an already crowded mix, all while unleashing the reality-bending possibilities of the Multiverse – a concept that quickly became a stock device driving Marvel's lucrative fan service (with diminishing creative returns). No superhero has enjoyed as many 21st-century screen incarnations as Spider-Man – a testament, perhaps, to the studio machine in cynically regenerative overdrive, but also to the universal, anyone-can-be-a-hero appeal of the teenage web-slinger, the most enduring comic book movie icon this side of Batman.
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